What´s more, the whole idea that you can ‘permanently enhance your music to sound better than the original CD´ opens a highly questionable can of worms that we wouldn´t wish to spill onto these pages. Almost everything is geared towards being part of a home entertainment hub (the remote control is a giveaway), and though it operates in three modes (Audio Creation, Gaming and Entertainment), this means that at least two-thirds of the design ethos wasn´t focused on music production. So as fantastic as the Elite Pro can sound, from both the value-for-money and features standpoints it simply isn´t the best option for music production. There is some clever processing at work here too - the system can even make educated guesses about speech sounds that belong in a centre channel - but it´s almost useless for music production, as there´s no substitute for crafting a proper surround mix manually. So, this key technology is of limited practical value to musicians.Īnother wasted innovation is the ability to convert stereo signals to surround configurations or adapt different surround configurations to your setup (7.1 to 5.1, for instance). Also, if you care about 24-bit, you record at 24-bit, and many commercial samples are available at that resolution too.
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